Horizontal oval intaglio. Red translucent carnelian. Depicting Socrates, bearded and partly bald, naked except for a loose draped garment sitting on a low platform to which shackles are attached, facing left in profile and raising a drinking vessel up in his left hand. Four other draped male figures, two to left and two to right, stand and sit around him, the two outer figures weeping, those nearest to Socrates gesturing.
Circa 1820-30
This gem is in the neo-classical style popular in the late 1700s and early 1800s, when taste in the arts echoed the subject matter and style of the Greek and Roman masters. Thousands of gems were made in this style in Italy and brought back by British Grand Tourists, who went there to visit the newly-discovered classical antiquities and archaeological sites. It once belonged to the collection of Prince Stanislas Poniatowski (1754-1833), a wealthy collector who commissioned about 2500 engraved gems and encouraged the belief that they were ancient. Many even bore the signatures of the most celebrated Greek and Roman engravers. The collection was sold in 1839 following Poniatowski’s death, and later the scandal of its true background emerged and many gems subsequently changed hands for very low prices and were widely dispersed. The Poniatowski affair is often credited with causing a loss of confidence in the market for engraved gems, and the subsequent decline in the art from the mid nineteenth century onwards. Nowadays, ironically, the Poniatowski collection is of increasing interest as most of the gems were the work of a small group of neo-classical gem-engravers in Rome, including most probably the great Luigi Pichler (1773-1854),and have come to be regarded as important works of gem-engraving. The engravers of the Poniatowski gems took their subjects from Classical literature, especially the works of Homer, Virgil and Ovid. Here the engraver depicts the famous scene of Socrates taking his own life (399 BC), surrounded by his disciples. The philosopher had been tried in Athens for corrupting youth and denying the existence of the ancestral gods. He was offered exile and the renunciation of his teaching life, or death by poisoning. He chose to drink hemlock and die – ‘the unexamined life is not worth living’ – and the scene at his death was described by his pupil Plato.
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